AWC Spotlight | Jeff Man

AWC Spotlight | Jeff Man

A Maryland-raised, Los Angeles-based filmmaker, Jeff Man attributes his success as an artist to the community and friends he made through VC and his 2012 AWC Fellowship. After writing and directing Santa Claus (2017), which received a Special Jury Mention at the San Diego Asian Film Festival, Jeff is excited to continue his career and direct his first feature-length film in 2023.

Read more about how participating in AWC, LAAPFF, and being a Digital Histories instructor shaped Jeff into the person and artist he is today.

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We Went to Hawai'i!

We Went to Hawai'i!

As part of our growing practice to center wellness and joy, Visual Communications Staff and Armed With a Camera Fellows took a renewal trip to Hawai'i.

“I loved connecting with people in a relaxed and casual atmosphere. It was really important as I came away, not only feeling closer to everyone, but also really valuing the community we have and inspired to keep building community.

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Franklin S. Odo (1939–2022)

Franklin S. Odo (1939–2022)

Franklin Odo, a prominent Asian American Studies scholar, activist and long-time friend and supporter of Visual Communications, passed away on September 28, 2022. A third-generation Japanese American born and raised in Honolulu, Hawaii, Franklin was a forebear in the Ethic Studies Movement. He was one of the 4 editors of the first anthology focusing on Asian Americans, Roots: An Asian American Reader, which became the nationwide standard textbook in Asian American Studies for many years, and the author of the first VC-published book, In Movement: A Pictorial History of Asian America.

Franklin’s legacy is imposing. We mourn the loss, commemorate and celebrate Franklin’s life and far-reaching contributions and impacts to the many individuals and communities he has touched and uplifted.

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AWC Spotlight | Brandon Soun

AWC Spotlight | Brandon Soun

As a second-generation Cambodian American raised in Cambodia Town, Brandon attributed his passion for filmmaking to its ability to empower communities. When Brandon Soun made his short documentary Cambodia Town: Not for Sale in 2019, he did not expect it to become the first of a trilogy.

Read more about Brandon, his love and ties to the community, his learnings during the making of these short films and what the community can achieve when people come together.

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AWC Spotlight | Shaun Vivaris

AWC Spotlight | Shaun Vivaris

Shaun Vivaris, a New York-raised and Los Angeles-based filmmaker, has found his community after his 2016–2017 Armed With a Camera Fellowship. A natural storyteller and formerly aspiring novelist who makes genre-bending fantasies that have screened at multiple international film festivals, Shaun strives in his works for authentic Asian American characters and stories beyond mere representation.

In light of the release of his first feature film Lisa Mania on August 23, we checked in with Shaun and discussed his career since his AWC Fellowship, the making of Lisa Mania, his creative process and how he found a community through VC.

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WE ARE LONG BEACH: OUR STORIES, OUR FUTURE

WE ARE LONG BEACH: OUR STORIES, OUR FUTURE

Visual Communications is grateful to have partnered with United Cambodian Community of Long Beach (UCC) and Cambodia Town Thrives (CTT) to present We Are Long Beach: Our Stories, Our Future, a community arts event created to engage and uplift the Long Beach community of Cambodia Town. The event featured screenings of three documentary short films, including the Long Beach premiere of Conversations at the Register (2022), Cambodia Town Thrives (2022) and Cambodia Town: Not For Sale (2019), followed by discussions and activities guided by local community leaders.

We Are Long Beach: Our Stories, Our Future seeks to amplify local voices and movement, and encouraging solidarity around multicultural issues impacting the local community through sharing and discussing personal stories. We are honored and heart-warmed by the presence and stories of the attendees, and to witness connections being made through the films and issues impacting our communities.

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VC Announces 2022-2023 Armed With a Camera Fellows

VC Announces 2022-2023 Armed With a Camera Fellows

Visual Communications seeks to cultivate a rising generation of artists committed to social and political changes and movements, while preserving the legacy and vision of our communities. We seek to support artists who are committed to empowering communities and challenging perspectives through their creative works.

For the 2022 - 2023 cycle, we looked for filmmakers of Pasifika descent, who wish to utilize film to amplify the cultures, experiences, and perspectives of the indigenous peoples of Hawaiʻi, Aotearoa (New Zealand), Guåhan (Guam), Rapa Nui (Easter Island), Sāmoa, Tonga, the Cook Islands, and additional islands throughout the Pacific region.

To understand the intention behind this year’s cohort, please read this letter from our Executive Director.

We look forward to creating community with this year's Fellows.

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Visual Communications Proud to Receive Durfee's Lark Award for Rest and Replenishment

Visual Communications Proud to Receive Durfee's Lark Award for Rest and Replenishment

The Durfee Foundation, which “invests in extraordinary people who are making a better LA,” announced the inaugural cohort of Lark Awards recipients. Durfee’s Lark Awards support the collective care and well-being of staff at small Los Angeles-based nonprofit organizations with deep ties to the community. Each organization will receive $30,000 to spend as they see fit to meet the needs of their staff for replenishment. There are 15 organizations in this inaugural 2022 cohort. They are:

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First Street North: Open

First Street North: Open

Our growing collective collection of personal stories, oral histories, and documentary footage capture the necessity of Little Tokyo’s First Street North as a site of cultural, familial, and political importance. They detail how the diverse, multicultural communities represented in the area lived their lives amidst a backdrop of change and attempted redevelopment, and how their daily activities manifested concerning these attempts.

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America's Concentration Camps, Revisited

America's Concentration Camps, Revisited

Visual Communications’ Historical “Cubes Exhibit” Restored And Debuts As Online Exhibit.

Visual Communications, the nation’s premier Asian American media arts organization, today announced the completion of restoration work of its inaugural production, AMERICA’S CONCENTRATION CAMPS. A mobile photographic exhibit first created as a commission of the Japanese American Citizens League (JACL), the “Cubes Exhibit,” as the photographic display is affectionately known, represented one of the first instances that the story of Japanese American relocation and confinement during World War II was made widely known to the public.

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In Focus: AWC 2022-2023

In Focus: AWC 2022-2023

Intersections and convergences are effective ways for us to safely connect with each other. But we also need to be brave and welcome collisions. It’s easy to coalesce as an Asian American & Native Hawaiian/Pacific Islander community when we’re going against hate and white supremacy. However, the required work needed for us to build collective power is to confront issues that divide us. From across the dinner table to discuss why Black Lives Matter with our families, to acknowledging Asian settler colonialism in Oceania, these power structures are replicated and represented in media. Most often, our always-present Indigenous interconnections are made invisible.

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Highlights of the 2021 Los Angeles Asian Pacific Film Festival

Highlights of the 2021 Los Angeles Asian Pacific Film Festival

After a year and a half of virtual presentations, we brought back the 37th annual Los Angeles Asian Pacific Film Festival, presented by Visual Communications, to in-person theatres and celebrated the works of seasoned and emerging artists from September 23 to October 2, 2021. The largest Festival of its kind in Southern California and an Academy Award® qualifying Festival for the Short Film Awards, LAAPFF was a 10-day Festival that recognized the works of more than 140 artists, 19 countries, and 34 languages.

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Welcome to the 37th Los Angeles Asian Pacific Film Festival

Welcome to the 37th Los Angeles Asian Pacific Film Festival

We understand that this Festival presentation was not what our artists had imagined when they began creating their projects, with a dream to openly celebrate their films with our communities. To create the Festival’s in-person moments to connect and converge, we are highly focused on protocols and procedures to keep us all safe. We ask you to be mindful and protective of each other. Let us be graceful to one another.

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